![]() Letters that are small and thick have reduced legibility and can make the reader feel like they’re looking at an old historical text, which might deter them from reading it altogether. Letters too close together feel cramped and make the reader feel claustrophobic. The smaller details really do impact the message you are trying to convey with a text. Still, it has been criticized for “lacking character.” Baskerville is also a relatively neutral font but has much more character than Helvetica because it’s a serif font with a defined shape. Helvetica is quite a neutral weight and probably has the best readability of any existing font. Futura, Arial, and Optima are lighter, more spacious sans serifs that lend themselves to a modern and even digital feel. In your poetry book, other sans serif fonts you may be interested in include:Ĭambria, Verdana, and Franklin Gothic are heavier fonts that will better fit a somber tone. Helvetica holds the title for the world’s most-used font, while Garamond comes out on top for the number one book font. You can use any font that you feel encapsulates the tone and goal of your poetry, but below are some commonly used fonts in published books and poetry that you might like to try out for size: ![]() A too-small font will be illegible, and the reader will likely not consider the eye strain worth the content. Remember that some sans serif fonts look larger or more “open” than serif fonts due to the lack of details within the lettering.Īn overly large font feels clumsy and childlike and might become frustrating for the reader, mainly because it misuses space. For example, Verdana in 11pt is larger than Arial in 11pt, and Calibri in 11pt is smaller than Arial in 11pt. There is an enormous range of sans serif fonts to choose from that differ in size sometimes quite substantially. The Size Differences Between Serif and Sans Serif These details affect the way we read and how we think about what we read. However, even if we don’t entirely take notice of different aspects of typefaces, we unconsciously take in the details of the words we are reading. Some styles are somber, playful, wispy and whimsical, while others are heavy and serious.Ī good font is like a good soundtrack, as it adds to the overall aesthetic and feeling of the content without you even realizing it’s there. Many still enjoy a serif font for print media, and the best one to use a gentle serif like Artifex.ĭifferent styles within the sans serif family also evoke different emotional reactions in readers. It’s the popular choice for online reading, and its popularity continues to grow for print media over time. There’s less fuss and less detail, and it allows the reader to concentrate more on what they’re reading conceptually rather than being distracted by the words themselves. ![]() Sans serif is also considered more desirable in terms of readability. This is because sans serif fonts have a more clean and contemporary feel, in contrast with serif fonts with a more antiquated feel. Modern poets favor sans serif fonts over serif fonts. Take a look at this article by AshworthCreative about typefaces and why they were created. This has to do with how a font was initially designed and what it was originally intended for. However, the font size changes with the type of font being used, even if the point size is precisely the same. The ideal size for a body font in any book, poetry or otherwise, is around 12pt. How To Choose the Right Font Size for a Poetry Book
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